I read a short story
by Haruki Murakami called Samsa in Love that appeared in the New Yorker yesterday. It tells the story of Gregor Samsa who wakes up one morning and finds to
his surprise that he has turned into a human. Everything feels odd to him. His body
has become soft, he finds it difficult to walk with only two legs, and dressing
up is impossible because he doesn’t know how to use his hands. He has no idea
how he has got that way – the house is empty, abandoned in the middle of
breakfast, so he can’t ask anyone. He isn’t completely ignorant. He understands
that he is human and he rues that he hasn’t been turned into a fish or a
sunflower. He is afraid of birds. All these worries he will put behind, though,
when a locksmith arrives in the form of a hunchbacked girl and, as the title
suggests, Gregor falls in love. The end is very hopeful, even though there is a
hint of a war brewing.
Kafka: Metamorphosis |
It’s a wonderful story
and a great homage to Kafka’s Metamorphosis (1915). That, of course, tells
the opposite story. Gregor Samsa, a travelling salesman, wakes up one morning
to find that he has turned into a giant insect. He doesn’t question how it
could have happened, nor is any explanation given. He is abhorrent to his
family who doesn’t understand that he has retained some of his humanity despite
his looks. Little by little, though, he begins to deteriorate and becomes more
insect-like. Eventually, the family can’t take it any longer and – dutifully –
Gregor dies. The end is very hopeful in this story too; his parents and sister
who had relied solely on Gregor’s income have learned to take care of
themselves, and it’s possible that Gregor’s sister, Greta, might see herself
married one day.
I’ve had to
read Metamorphosis twice before; first at school and the second time at the
university. On both times, it was important to learn how to analyse a novel, to
identify its climax and turning point, and its motives and themes. Thus
pressured, it was difficult to simply read and enjoy the story. Not much of it
had remained with me either.
Inspired by Samsa in Love, I read Metamorphosis today and enjoyed it very much. I
didn’t give a thought for novel analysis. Instead, I tried to identify some of
the details Murakami had used in his story. Gregor’s family send for a
locksmith at the beginning of Kafka’s story that then isn’t needed; that the
locksmith arrives in Samsa in Love could suggest it takes place right after
Gregor has first turned to an insect. Maybe the family has abandoned the house
in horror having discovered the transformation that is then reversed in their
absence.
Samsa in
Love could take place after Gregor’s death too. At the end of Kafka’s story,
the family leaves the house for a day of fun, ignoring their cleaning lady’s
amused announcement that the creature has been taken care of. Maybe she had
noticed that Gregor had turned back to human. Gregor in Murakami’s story seems
used to being an insect so perhaps he had been that way for a long time
already.
Both
stories are great. Murakami’s language is fresher and his expressions are more
forward, but Kafka’s story isn’t in any way hampered with the old-fashioned
tone. Both are worth reading. Kafka has endured for almost a century already;
only time will tell if Murakami’s homage has similar staying power.