Dreams Bigger Than Heartbreak by Charlie Jane Anders: review

5/5 stars on Goodreads

Dreams Bigger Than Heartbreak by Charlie Jane Anders

It’s not often that the second book in a trilogy is better than the first, but Dreams Bigger Than Heartbreak is. The world is richer, the plot is more exciting and coherent, and the characters are more interesting, with good personal growth arcs.

The book starts soon after the first ends. The six teenagers from earth have settled on the ruling planet to pursue their dreams. Tina, the sole point of view character of the first book, is in the military academy to train to be the hero she was genetically supposed to be. However, she isn’t the POV character in this book, and we only catch glimpses of her training and adventures through her diary entries. Her story isn’t at the centre of the plot anyway, so the narrative choice works well.

The two POV characters are Rachel and Elsa. Rachel saved the universe at the end of the first book, and she’s now living with the consequences. She has nightmares and headaches, and she’s constantly pestered by the authorities to reveal everything she knows about the aliens and their intentions, only she doesn’t remember anything. And the worst of all, she’s lost her ability to make art. When the authorities decide to take a direct route to her mind—through her brain—it’s time for her to flee.

Elsa is living her dream, competing to be accepted in the princess programme. It’s less about being regal and more about being able to join her mind with an ancient hivemind species who monitor everything that happens in the universe. But most of her time she studies the history of Marrat, the megalomaniac enemy they didn’t manage to defeat. And now he’s been given a free range at the royal palace.

The three girls and their friends embark on three different spaceships to find answers to their problems, only to unite when Marrat makes his move. Once again, he manages to destroy everything, and it’s up to the humans to fix the mess. But this time they might not be able to. The ending was great, and promises an exciting conclusion for the trilogy.

Like the previous book, this was about inclusion, acceptance, and self-discovery. The humans present themselves in various ways they have been unable to do when still living at home, and they’re thriving. Everyone is conscious of pronouns and asking permission to invade the personal space of others, and it happens more naturally than in the first book where it tended to stick out. They seem to be more mature, too, than the teenagers of the first book. They are more like adults who actually might be able to save the universe.

But as a species, they’re being treated as inferior. Much of the plot is about defeating the reign of Compassion that tries to purge the universe of lesser species in the name of freedom. Hopefully the humans will manage it in the conclusion—though it might be smallest of their problems.

I received a free copy from NetGalley in exchange for an honest review.

Victories Greater Than Death by Charlie Jane Anders: review

4/5 stars on Goodreads

Victories Greater Than Death by Charlie Jane Anders

Victories Greater Than Death is a young adult sci-fi novel by Charlie Jane Anders. I read it as a stand-alone, but it turned out to be the first book in Universal Expansion trilogy. I received a free copy from NetGalley in exchange for an honest review.

The sole point of view character is Tina. She’s an American teenager who knows she’s a clone of an alien spaceship captain, genetically modified to look like a human and with all her memories. She’s accepted that one day she’ll leave the earth and become a new person. But it happens more abruptly than she would’ve wished when Marrat, the enemy who killed the original captain, finds her first.

During the daring escape, she takes her best friend Rachel with her on the rescuing spaceship. When it turns out that the spaceship is short on qualified staff, they pick up four other teenagers from all over the earth too, all geniuses in their own field. Together they set out on a quest across the universe to find a stone Marrat wants before him. Clues to what it is and where to find it are in the memories of the original captain.

But the medical procedure that’s supposed to make Tina the original captain again doesn’t quite work. She’s left with encyclopaedic knowledge of space and great new skills, but with her own memories and personality, and with no traces of the original captain. It triggers an identity crisis in her, which is the driving theme of the book.

The book starts with a lot of action and then slows down for a very long middle part. There are episodic scenes of Tina and the earthlings, as they call themselves, learning new skills and studying the new world they find themselves in. There’s also a great deal of teenage angst about who they are or want to be, and who they want to be with.

Teenage drama is what YA books are about, and it’s done fairly well here; the characters behave like teenagers and not like adults in teenagers’ bodies. But since it doesn’t really interest me, it made the already slow middle of the book drag far too long.

Action returns in the last third with the final confrontation with Marrat. An ancient alien race has gone through the universe millions of years ago to help humanoids to thrive over creatures that aren’t based on two legs, arms and eyes. Marrat wants to bring this back, and the earthlings and their spaceship crew rise to oppose his humanoid supremacy.

Marrat is an evil creature who isn’t easily won, but in a true YA fashion, the teenagers succeed where the adults fail. The final battle felt a little off, however. In a first person narrative, I would’ve expected Tina to be the one who pulls off the impossible, but while it was a team effort, she was basically left to observe the outcome from the side-lines.

It’s nice, in principle, to give each character equal time to shine. But from a narrative point of view, it doesn’t work. Especially since it was done ‘the wrong way round’. It would’ve made a greater dramatic impact, if Tina had been allowed to act on her original plan, and the last minute solution had come only after it was almost too late to save her. Now, there was no drama, and the final battle fell flat.

The ending wasn’t conclusive, which also lessened its impact, as I believed I was reading a stand-alone. Even knowing there are more books to come, it doesn’t feel satisfying enough. The last sentence of the book positively threw me.

But the book isn’t so much about action as it is about representation. There are gay, bi and transgender characters, black and Asian ones, and the alien races add their own uniqueness to the mix. Everyone introduces themselves with their name and preferred pronouns. It was a bit jarring at first; education for education’s sake. However, most characters are odd and alien to each other, even on a spaceship, so it was merely practical to tell these things upfront.

Everyone accepts everyone else just the way they are. Gender and sexuality issues that would’ve been the main themes in most YA books are given normalcy and not addressed. The identity issues that Tina and her friends grapple with aren’t based on who they fall in love with or what they look like underneath their clothes. It’s about finding their place in the universe as they are, based on their skills and what they like to do. Tina especially has to figure out a lot, since she wasn’t miraculously altered to someone else after all. On the flip-side, the characters—the minor ones especially—became the sum of their skills, not living, breathing persons.

The book tries to include everyone, respect everyone’s choices and personal space (consent was asked for every hug), understand everyone and not to be mean to or dismissive of anyone. It was nice, but it didn’t offer much character conflict or chance for personal growth for any of the characters, which are the building blocks of any narrative. The reader wasn’t given a reason to read beyond the action plot.

I also found it odd that on a spaceship full of aliens the earthlings only hung around amongst themselves. Without proper interaction with the aliens on an equal level (mostly they were teachers and commanding officers who weren’t given backstories), they didn’t really have to question their humanity. They could’ve been anywhere on earth, and the book would’ve been pretty much the same.

In the end, I didn’t like the book quite as much as I hoped I would—or as much as I enjoyed the first few chapters. The odd, dispirited ending doesn’t really make me want to read the next book either. But I’ll probably continue with the series anyway, if only to see whether the earthlings end up where they want to go.

 

My reading challenge for 2021

It’s a new year and that means a new Goodreads Reading Challenge. I’ve set myself a reading goal there several years in a row, and I find it a fun way to keep track of what I’ve read and maybe challenge myself a little too. Last year I made a personal reading record of ninety-five books (or eighty-five, if you only count those I finished). This year I pledged to read eighty books, though that may change later.

Every year, I make a list too, of books that I want to read. It’s a guideline more than a mandatory programme; last year I only read ten books from it. But I’ve noticed that it’s easier to keep up with everything I want to read if I’ve listed every book I already own and haven’t read yet, the books on my wish list and the upcoming publications by my favourite authors.

This year’s list contains a whopping hundred and fifty books, mostly because I did so poorly with it last year that several books moved over. It has four sections: books from the old list, new books, books from NetGalley, and books I chance to read outside it—obviously currently empty.

There are fifty-two books from the old list. Some of them didn’t seem so interesting anymore, so I pruned it down to those I already own or definitely want to read. That brought it down to twenty books. These include The Burning God by R.F. Kuang, which was published in November and I got for a Christmas present and didn’t have time to read last year, and Crush the King by Jennifer Estep that I reserved from the local library, but haven’t got yet.

The list of new books filled with everything I bought last year and didn’t have time to read. There are several by Lindsay Buroker, for example, as many of her boxed sets were free or discounted—and she’s published a lot. But there are also many upcoming books from my favourite authors; two from J.R. Ward and three from Nalini Singh. All in all, the list has seventy-nine books, so if I manage to read them all, that’s my reading challenge pretty much covered.

And then there’s the NetGalley section. I’ve already been approved to read twenty-two books, and that’s only until May. A couple of really interesting books there, like Victories Greater than Death by Charlie Jane Anders, which will come out in April; A Desolation Called Peace by Arkady Martine, the follow-up to A Memory Called Empire, which will be published in March; The Galaxy and the Ground Within by Becky Chambers, coming out in February, and The Russian Cage by Charlaine Harris that will be published in February too.

All in all, a full and interesting list. And there’s still room for surprises, so bring them on. Last year ended with one such surprise, as I picked Paladin’s Grace by T. Kingfisher, a really great fantasy romance, and instantly proceeded to read her Clockwork Boys, which is the first book I’ve finished this year. I’ve already started it’s follow up, The Wonder Engine. So the reading year is on to a good start. Follow this blog to find out how it proceeds.