Hell’s Acre by Lilith Saintcrow: review

3/5 stars on Goodreads

Hell's Acre by Lilith Saintcrow

Hell’s Acre was a really different book from what I presumed by the description, cover, and previous books by the author I’ve read. I expected a fast-paced alt-world urban fantasy told in first person narrative. But it’s an alt-Victorian gaslamp fantasy told in third person by multiple point of view characters, with an overly florid narrative style that is incredibly slow to read, as every sentence is packed full in a convoluted fashion that forces the reader to go back several times.

The world isn’t what I thought either, based on the description: a country that has refused to accept Christianity and where Rome never fell. I presumed it would be based on Roman gods and traditions, or since this takes place in England, Anglo-Saxon ones, or a combination of both. Mithraism, for example, in the temple of which the book starts, would’ve had rich, distinct rituals and interesting underground architecture that would’ve immediately made this world unique.

What we have is a very traditional Christian setting, like convents structured like Christian ones and organised by gender, and Priories and Abbeys, with a few token words of other religions and cultures in the mix to make it seem something else. Character names are based on Bible. Even the name of the book directs thoughts to Christianity, even if the concept of hell isn’t solely Christian. The world feels half thought out and is a great disappointment.

It took a long time to get a hang of the characters too, as the narrative doesn’t really dwell on their inner thoughts, and reader is more observing them from the outside. Yet, for all the floridity, characters are very sparsely described, and long after the reader has already formed their own image of them.

The story emerges slowly and in a roundabout way, with every character’s POV chapter opening mid-action with little or nothing to orient the reader. Beth, going by Gemma Dove, an orphan, has been living in this world’s version of France to hide her from powers who want her for something that isn’t specified. But her guardian has died and she’s returned to England (Albion) to revenge her parents’ death. She’s well trained in self-defence and believes in her abilities, but it isn’t easy to go after her prey even with powerful backers.

She takes a job as a teacher of boys in an orphanage near the bad part of town, Hell’s Acre, and that fills most of her days, with some adventures in the mix. She catches the attention of Avery Black, who leads a group of vigilantes (or something, I never quite figured out) in Hell’s Acre. Reader doesn’t learn much about him, or Hellions, the organisation he belongs to (but not the vigilantes?), but he’s after the same man as Gemma.

The book description gives to understand that the two team up. However, while their paths cross from time to time, the two don’t realise their mutual goal before the book ends. The ending is a cliffhanger. There’s a hint of interest, but no romance. I’m not sure I need to read more to find out what happens next. The story wasn’t interesting enough, and it was too much work to read, with too little given in return. I’m giving it three stars though, because I did finish it and it doesn’t quite feel like a two-star book despite everything I found lacking.

I received a free copy from NetGalley in exchange for an honest review.

Case File Compendium Vol. 3 by Rou Bao Bu Chi Rou: review

5/5 stars on Goodreads

Case File Compendium vol 3 by Rou Bao Bu Chi Rou

Volume 3 of Case File Compendium is about the aftermath of the sexual assault in the previous volume. If the reader is hoping for soul-searching, deep conversations, healing and understanding, they will be sorely disappointed.

He Yu plunges deep into his psychopathy, living in a reality of his own, where his actions aren’t his fault, and pushing himself in Xie Qingcheng’s company—and into the older man’s bed. He’s still demanding answers for what took place when Xie Qingcheng resigned as his doctor. The latter isn’t willing to tell him anything, and only gives in to He Yu’s forceful demands to get rid of him faster.

Xie Qingcheng wants nothing to do with He Yu. He’s deeply traumatised by what took place, and he hates He Yu with passion. However, since he bottles everything in, he simply goes on as if nothing has happened, his rage surfacing only on occasion with He Yu. Reader feels both annoyance and sympathy for him, as it turns out he’s coped with hardships this way all his life.

Life keeps throwing the two together, and they end up on the set of a same movie production. Things get so bad that the reader starts believing this will end with either of them killing the other. But before their hatred peaks, a serial killer shows up and the two are caught in his web.

This was a difficult, heavy book. On one hand, I’m happy that the events of the previous book aren’t glossed over here, but there was nothing light to give the reader even a breather. Even the revelation of the source of He Yu’s madness didn’t ease things, as it’s a tragic story too.

We mostly follow He Yu as he descends into his madness. The brief lucid moments are always followed by worse delusions and violence. And Xie Qingcheng’s suffering isn’t any easier to witness. There aren’t even any side stories and plots that would take attention away from the two even briefly. And just as the plot changes a new gear, the book ends in a double cliffhanger, with Xie Qingcheng ready to reveal one of his secrets, and the pair in a mortal peril.

Nevertheless, this was a good book. He Yu’s mental illness is believable and Xie Qingcheng’s suffering relatable. It’ll be an agony to wait for the next book, but I’m invested in the story now. It’ll definitely need all the remaining several volumes before any sort of HEA can be achieved.

Sleeping Worlds Have No Memory by Yaroslav Barsukov: review

5/5 stars on Goodreads 

Sleeping Worlds Have No Memory by Yaroslav Barsukov

Sleeping Worlds Have No Memory combines two novellas, Tower of Mud and Straw that came out 2021, and its follow-up, City of Spires, City of Seagulls, with a brief intermission, The Man with All the Gifts, between them that gives the reader insight into the actions of one of the characters in the first book. I read and reviewed the first book in 2021 and liked it very much. You can read the full review here.

In the first novella, Shea Ashcroft, an aristocrat and politician, is sent to a remote town to supervise the construction of an enormous tower. It’s a punishment, and he takes it as such, but he’s willing to do his job as instructed. But when he learns that the tower will lead to a destruction of the world by opening a portal to another world, he has no choice but to destroy the tower.

The first novella ends there, with the reader convinced that Shea has plunged to his death with the tower. But he’s saved, in a manner that fits the world and doesn’t come across as a deus ex machina solution. But now that Shea is alive, he has to face the consequences of his actions. Everyone knows he’s the one who destroyed the tower. The queen herself comes to his trial to make sure he’s executed for treason.

Shea isn’t willing to wait for that. With the help of an enemy spy, he flees to her country, only to end up in even more trouble than before. Now he’s the captive of their prince who wants him for his information about the tower. Because the tower Shea destroyed isn’t the only one. It’s about arms-race, and the enemy isn’t willing to be left out, no matter what they say about destroying their weapon too.

Meanwhile Brielle, the engineer of the tower who was stranded in the alien world in the first novella, struggles to find her way out before she dies of thirst or is killed by a giant baby throwing a tantrum. But what happens when the two worlds collide?

In the end, there’s only one choice for the other tower too, and Shea knows it. Reality has changed already though, even if there are only two people who know about it. Or maybe it has always been like that...

Second novella is slightly more action driven than the first, but equally compelling and the narrative tone remains similarly pensive as in the first, as Shea now has new deaths on his conscience. Both Lenas feature too, even after death; Shea’s sister in his memories, and the alien woman in the pages of her diary Shea is reading for clues about the tower. The second novella ends in a better place for Shea, but the ending is open enough that the reader can’t be quite sure how he’ll fare from now on. Hopefully he’ll get what he wished for.

I received a free copy from NetGalley in exchange for an honest review.

The City in Glass by Nghi Vo: review

5/5 stars on Goodreads

The City in Glass by Nghi Vo

The City in Glass is a story of a city, a demon who loves it, and an angel who loves the demon. It’s set in an imaginary world close enough of ours to be recognisable in some parts, though not immediately identifiable as a particular culture or specific time. A distant past, maybe.

Vitrine is a demon, an immortal being of high emotions and capricious nature, but not evil. She’s arrived to Azril centuries ago when it was still a shanty-town of pirates. With love to its people and the town itself, she helps it to grow to a bright jewel, watching its fortunes ebb and flow through time. And then, out of the blue, four angels arrive and destroy the place and the people.

Only ruins, ghosts, and Vitrine’s rage remain. In her anger, she curses one of the angels, planting a part of her essence in his heart. Unable to return to his own plane of existence with other angels, he stays in Azril, watching as she begins to clear the destruction to make way for the town to reborn again.

The two don’t like or understand each other. Her anger doesn’t ease, but he offers no explanations to the angels’ actions. Years and decades go by as Vitrine clings to her grief, reminiscing the people she’s known. The two barely interact, but they are each other’s only company. Until she drives him away. She would want it to be forever, but in the end, she sets a limit of fifty years.

When the angel returns, he wants to bring refugees of a war to Azril to repopulate it. She demands a huge sacrifice of him to let them come. He agrees, and so the city comes alive again, and the cycle of watching it grow starts anew. It’s not the Azril she’s known before, but it’s her city and her people and she loves them. But it’s now his city too, much to her upset.

This was such a wonderful read. It doesn’t really have a plot that would advance from point to point. Instead, we walk the streets of Azril remembering the past with Vitrine, so named because of a glass cabinet in her heart where she holds a book with names of all the people of Azril—and the angel’s sacrifice. Years, decades and then centuries flow past, and the city grows under Vitrine’s supervision. Not that humans really know she’s there.

The angel comes and goes. He doesn’t speak much, but the reader sees him change from a cold vessel of judgement and destruction to a person who cares about the people of Azril as much as Vitrine does. Her anger eases eventually, and his love for her grows, though we have no indication of it other than that he keeps returning to her. He’s never named, and even at the end she refuses to ask his name or add it to her book. Instead, as a show of her love, she gives him her city—or gives him to the city.

Even without a traditional plot, this was a compelling read. The tone is pensive, but the pace is good, the language is rich, and Vitrine is ever changing like her city. The ending was a bit of a surprise, and while it made an impact, it’s sort of disappointing in the way it was handled. (MINOR SPOILER AHEAD)

I would’ve liked for her to set him free, like she did to everyone she loved, something he struggled with. She does ask if he wants it, but he doesn’t want her to ask. For me, it meant he wanted her to give it voluntarily as an act of love, but she takes it to mean he doesn’t want it. And although he goes to his fate voluntarily, I would’ve found it more meaningful if he’d done it free of the curse too. It’s a small mar though and doesn’t in anyway lessen my enjoyment of the story.

I received a free copy from NetGalley in exchange for an honest review.