Saint Death’s Daughter by C. S. E. Cooney: review

5/5 stars on Goodreads

Saint Death's Daughter by C. S. E. Cooney

Saint Death’s Daughter by C. S. E. Cooney is a brilliant debut. It’s well-written with a wonderfully unique world, a great main character, and a plot that doesn’t follow the worn patterns. It’s advertised as YA, but even though the MC is fifteen in the beginning, she’s an adult responsible for a child for most of the book. There are some dark themes too of childhood abuse and abduction that a delicate reader might find upsetting.

Miscellaneous Stones comes from a long line of sorcerers who have served the ruler for centuries with their murderous talents with magic. She’s the first necromancer to born in a century, and it comes with a rather unfortunate allergy towards violence and death. Even violent thoughts in her vicinity make her body break out in real wounds in response. To keep her alive until she reaches maturity and her full powers, the family has isolated her in their country manor. That hasn’t stopped her big sister Amanita from torturing her for all her life, until she mercifully left for a boarding school.

Then the parents are assassinated, leaving Lanie to deal with a staggering debt. Out of options, she summons Nita back. Nita promptly becomes an assassin to pay the debt. But she doesn’t come home alone. She’s abducted a man who can turn into a falcon to make him her husband, controlling him with his own magic. Mak hates Nita and Lanie, but to avoid having his memory wiped, he succumbs.

The book then skips seven years. Lanie is twenty-two and has come to her powers, though she still has a lot to learn—mostly from a murderous ghost of the previous family necromancer. Mak and Nita have a six-year-old daughter, Datu, who, having grown in a highly dysfunctional environment, isn’t exactly a nice kid. Mak still hates everyone but his daughter. And then Nita is assassinated, forcing Mak and Lanie to flee to protect Datu. To keep her family safe, Lanie has to face the powerful enemy who wants them dead.

The book takes a rather winding path to where it needs to go. Mostly we follow Lanie as she learns to be a necromancer. The book is solely from her point of view, and she is an excellent MC, strong, resilient, and warm-hearted despite her upbringing and the form of magic she wields. She maybe grows a bit too powerful towards the end, but she has friends to keep her in rein.

The supporting cast is interesting and not stereotypical. Mak was my favourite, but he wasn’t given enough airtime. Datu as a tantrum prone, murderous kid was wonderful. The enemies weren’t pure evil and could occasionally be allies too, and the friends Lanie made along the way were a good addition.

But I found the romantic subplot uninspiring. It’s seldom that romances work when they’ve begun before the book does, and this wasn’t an exception. I never felt any connection between Lanie and Lir (the great twist at the end failed to affect me in any way because of it). Mak and Haaken would both have been perfect for a wonderful enemies-to-lovers plot, but neither choice was in any ways utilised. However, the way the book ended gives me hope that the childhood infatuation will be forgotten and there will be a proper romance in Lanie’s future.

The world is interesting and fully developed, with a rich history that is constantly referred to, at least in funny footnotes, large pantheon of gods, and unique ways to practice magic. Nothing is overly explained, but the narrative flows easily and makes everything effortlessly understood.

The book has a good ending. It’s conclusive enough to satisfy, but with a few open threads that’ll hopefully lead to a sequel. I’m definitely looking forward to it.

I received a free copy from NetGalley in exchange for an honest review.