The Carnival of Ash by Tom Beckerlegge |
The Carnival of Ash is an alt-history novel set in the 16th century Italy, at the time of city states. It takes place in Cadenza, a made-up city somewhere near Venice. Where Venice takes pride in its glass industry, Cadenza’s entire existence is based on words. Poets are revered, and the leader of the town is chosen by his ability to turn a beautiful phrase.
And then he dies, and a politician more concerned with finances and impending attack by Venice is chosen to lead. It starts a series of events that plunge the city into chaos and destruction.
This is a book that takes the poetic form very seriously. It’s divided into twelve cantos that each tell a story of a different character. Some of them touch the lives of other characters who in turn get to tell their stories; some only make one appearance. In a relatively short space, with carefully chosen words, the reader is shown a crucial moment, or gets a longer account of the character’s life.
At first it seems like the form is all there is. But gradually, a story emerges. Not everyone is happy about the state of affairs in Cadenza; not everyone revered the late leader; not everyone becomes a great poet; and not everyone makes it to greatness with their own words—or in their hometown.
A few characters rise above the others. Carlo is an aspiring poet who arrives at Cadenza just as the leader has died. With brashness of a youth, he tries to make a name for himself, only to be ridiculed; the worst fate there is. Honour demands that he clears his name with a glorious act, by killing himself or burning the city. Instead, he ends up living in the basement of a burned church with an eccentric gravedigger. Eventually, he makes friends among the poets and ends up being at the right spot at a crucial moment.
There are sisters Vittoria and Maddelina. The former is an ink maid whose sole purpose is to write letters, the latter a free spirit befriending the young poets. Vittoria is plunged into a personal crisis with the leader’s death, leaving Maddelina the thankless job of trying to save her.
Then there is a group of women convicted of real or imaginary crimes to live in a convent with their tongues removed, their sole task to remove all mentions of the rivals of the former leader from the books. After his death, the women decide to take revenge on him by removing his memory, but things get out of hands.
Even the characters that make only a brief, onetime appearance have interesting stories. There’s a murder mystery and a delightful union of long-lost lovers. They may seem like separate stories, but each contribute to the whole, telling a story of corruption and a fall out of glory. And all the while, behind the scenes, the ordinary people of Cadenza prepare to take to arms to clear the town of poets and the tyranny of words for good.
This was an excellent book. The world felt authentic, even though it didn’t pile on historical details, and even with some fantastical elements in the mix, it didn’t feel purely like historical fantasy, although it is marketed as such. The characters were all interesting, and the slowly unfurling descend into chaos was believable. Language was beautiful, and in the end, the form served the story very well. If you like historical fiction, alt-history, or historical fantasy, this is a book for you.
I received a free copy from NetGalley in exchange for an honest review.
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