Yokai: Shigeru Mizuki's Supernatural Parade by Mizuki Shigeru: review

5/5 stars on Goodreads

Yokai: Shigeru Mizuki's Supernatural Parade by Mizuki Shigeru

Mizuki Shigeru (1922-2015) was one of the founders of Japanese manga after the WW2. But he was also a life-long student of Japanese folklore and especially yokai, the supernatural creatures, spirits and other phenomena that he held to be the integral part of Japanese (or any) nature. He wrote several books and encyclopaedia of them during his long life, and they had a deep impact on his work as a manga artist.

This is a collection of some of Mizuki’s yokai art edited by Zach Davidson, translator and folklorist. The book consists of horizontal, full-page, full-colour original images by Mizuki, with brief explanations of each yokai and some personal anecdotes of those yokai Mizuki had encountered himself.

The art is absolutely gorgeous. They combine folkloristic images of yokai, sometimes in traditional Japanese woodcut style, with comical manga images of humans encountering them. They’re highly imaginative and full of details that a reader can spend ages studying, always finding new things. I absolutely loved them. I wish they’d chosen one of the colourful images on the cover too, instead of the rather bland two-tone image.

From the editor, I would’ve needed a little more information. There’s a brief biography at the beginning of the book that concentrates on Mizuki as a folklorist rather than a manga artist, which somehow manages to leave out the detail mentioned in the back copy bio that Mizuki lost an arm in WW2. Which arm, and did it affect his work as an artist? I would also have liked to learn how this collection was edited. Is it an existing book or did the editor make a selection? How was the selection made? Based on images, editor’s favourite yokai, or potential reader interest? Are the descriptions Mizuki’s original, abbreviated from originals, or editor’s own? I would also have liked a table of contents or an index that would’ve made searching for a particular yokai easier.

These technical details aside, this is a delightful collection, a perfect coffee table book, and a starting point for anyone interested in Japanese yokai and Mizuki’s art.

I received a free copy from Edelweiss in exchange for an honest review.