Burn for Me by Ilona Andrews: review

4/5 stars on Goodreads

Burn for Me by Ilona Andrews

Burn for Me starts Hidden Legacy UF series. I picked it at random for a quick summer read having been in a bit of a reading slump, and it worked perfectly for it. It’s ‘old-school’ urban fantasy from over a decade ago when UF still had heroines who weren’t afraid to stand their ground and who didn’t fall on their back when the hero so much as glance at their way. Sex and romance are something that is worked towards, not a page filler.

The book takes place in modern Houston, a location that isn’t exactly overused in fiction. It’s a world with magic that’s been introduced to it less than two centuries ago, but which has since become hereditary, with powerful Houses breeding for best results. Magic has altered the geopolitical situation too, so it’s not US of our world.

Nevada Baylor, 25, is in charge of her family’s PI business, running it with her younger sisters, cousins, mother and grandmother. Her magic allows her to tell when people are lying, something she’s kept tightly hidden so she wouldn’t be used by Houses or government, so much so, that she’s clueless to her own abilities. She’s about to learn.

Thanks to a business decision Nevada’s made around the time her father died, the agency is owned by a large House corporation, and they’re not above pressuring her to take a suicide case. She has to bring in a fugitive magic user who is a Prime level pyrokinetic capable of incinerating her from a distance and psychopathic enough to do it too. Since she knows she can’t apprehend him, her only option is to bait him to come to her. It works a bit too well.

It gains her the attention of one of the most powerful, destructive Primes in existence, Connor “Mad” Rogan who is the head of Rogan house and equally psychopathic to Nevada’s prey. Reluctantly, with equal parts of fear and lust, she agrees to work with him. It’s an explosive case with a high body count that turns out to be more than meets the eye. The case is solved on the surface, but the backstory will continue, as we don’t learn who’s behind everything.

This was a good start to a series. It’s fast-paced and entertaining, with a main couple that’s not so much ‘will they or won’t they’ as it is about ‘when’. There’s enough heat on the page to entice though. Rogan isn’t the typical protective alpha male. He’s cold, callous and selfish, and doesn’t really believe rules apply to him. I’m guessing the romance won’t advance until he’s worked through some of this to become a more decent person. Nevada is the protective one, with issues of her own. And more magic than she thought she did. For all that I chose this for a one-off, I might read the rest of the series too. Had I read this a decade ago when it came out, I would’ve devoured it.

This Kingdom Will Not Kill Me by Ilona Andrews: review

5/5 stars on Goodreads

This Kingdom Will Not Kill Me by Ilona Andrews

I’ve seldom read Ilona Andrews, but the moment this book hit my radar, I wanted to read it. It’s in isekai genre, which has been popular in East-Asia for decades, but which has been making its way to western fantasy only in recent years.

In isekai, a person from our world is transported to a fantasy world, an alternate reality, game or, like here, into a world of a book the protagonist has been reading. They often bring something unique from the original world that gives them an edge in the new world. In this book, the protagonist has an encyclopaedic knowledge of her favourite book, knows exactly what’s going to happen, and sets out to change the future.

Maggie has woken up in a ditch in a strange medieval city without clothes and no idea how she’s ended up there. She’s had a couple of days to adjust when the book begins, so she’s already figured out the pertinent: she’s in the world of her favourite book she’s been reading obsessively for the past decade. She also knows what isekai is and understands that she’s been transported. She doesn’t remember dying, which is often a requirement in isekai, but she knows she’s her original self and hasn’t taken the body and life of an existing character in the book. It’s a cruel and violent world where her favourite characters are more likely to die than not, and she knows it’s headed to a violent and bloody upheaval.

She sets out to survive. She needs money and shelter, and she knows where to find both. The first requires a robbery which she has no compunctions committing. It leads to a stunning discovery: she can’t die, hence the series name, Maggie the Undying. Or rather, she dies and comes back to life a little later unharmed. The world doesn’t reset when that happens, like often in isekai, and she’s able to continue with what she’s gained.

Once she has her basic needs met, she starts making little changes in the lives of her favourite characters. Little changes lead to large ones and before she knows it, she’s leading a group of people determined to prevent the bad future from happening. She utilises the intimate knowledge she’s gained from the point of view characters, and trades in secrets to win people on her side. It isn’t smooth sailing, but with some sacrifices—usually her—they get to their goal. And then it turns out the goal isn’t what they thought, because there are only two books in the series with the third never published. Maggie doesn’t know how the story ends.

This was a great book. It’s told solely from Maggie’s first-person point of view and utilises the tropes of isekai well. She knows what’s at stake, knows the players, and is aware that with every change she makes, the future changes beyond her knowledge of it. She gathers a found family around her, mostly by being nice and helping them, which in the book’s cruel world is unheard of. Her allies are capable and loyal, the mysteries are suitably complicated but not impossible, the twists are good, and bad guys are perfectly evil. The love interest is straight from a fantasy. The narrative flows well, the pacing is good, and the plot keeps in its grip. The ending is the worst kind of cliffhanger, and I hope this series won’t have the fate of Maggie’s favourite book.

My only gripe is that since Maggie knows she’s in a book, she narrates what she’s supposed to feel—fear, love, lust—instead of feeling it. It distances the reader from the emotions, making it difficult to enter into her sentiments. The romance especially suffers from this. The reader knows why Maggie thinks she should find him attractive—although she wasn’t attracted to him in the book—but we’re never shown the attraction and love she feels. There’s no quickening of her pulse, no flushes of heat, or sweating of her palms when he’s around or kissing her, only analysing narrative. So, while I root for the pair, I think I might be fine if they never ended up together. But this isn’t a romance first and foremost, so I can live with that.